Wednesday, March 5, 2008
Day 1 – Duty Free Time Travel
After that frenzied state, everything went well. Customs and Check-In were easy (But the other way aroud). I did get swabbed for bombs (lucky I had already swallowed the nitro-glycerine), and I fell into instant relaxation once on board. And by instant I mean I slept through take off. Slept almost the whole trip to Hong Kong, where we arrived a 7:15am. There's only a few hours difference (3) between HK and home, so felt great.
The airport is quite nice. Not the first place on my list of places to be kept in captivity for a day, but definitely one of the most stylish. I can't tell if my experience is indicative of all Hong Kong, but space does not appear to be a premium: Everything is arranged with abundant wiggle room. The concourses (of which the largest must be close to a kilometre in length) are designed with a vaulted ceiling motif, very much invoking the external look and dimensions of a hangar. Considering I had a whole day here, I thought it best to get some currency, and so headed rght to an exchange where I gave them all my Australian cash. ALL.
Swanning around with the resulting stack of bills, I thought the best thing to do before the daydreams of grandeur reached critical mass, was to get a coffee. Coffee, like the Big Mac is a pretty universal measure. Unfortunately, science does not reckon on the immeasurable, and my hunger got in the way, ordering a “quick fried beef with egg” as a close match for breakfast. It was better than close – It was! The repaste cost me $45, approximately $6.80Aus. Not bad! I spent the rest of my time walking around the gargantuan halls, meandered the free internet briefly, and then decided it was time to slake the thirst and start recording my thoughts. Ordering almost $100 of drinks (my perspective is shot), I went for my pen only to discover it had fallen in battle. The ink had erupted and filled the barrel. It was a sad moment for ball points everywhere. I finished my binge, and bought a new smooth writer for the princely sum of $15 ($2.20Aus). I still need to get over this exchange rate – when it's close to one-to-one, I can handle it, but when it's 6.7:1, I get confused.
So the days go by, and the airport begins to grow old. I waited at the gate for the connection and tried to focus on my book, but my brain was hammering away that it was almost time to eat. Naturally, brain is correct but flight comes first. We board, and this time my seat-mate is a lovely young lady who is almost the spitting image of Petreen. We didn't talk, but share a smile that puts her miles ahead of Captain Psycho from the morning.
Captain Psycho dressed in fatigues, had wild hair and an intense stare that looked determined enough to pull triggers on it's own. He didn't speak, but spent the whole flight watching Disney's “The Hunchback of Notre Dame”...repeatedly.
I promptly fell asleep, but this time am woken by the Captain announcing a fault on the plane that cannot be fixed, so we are being transferred. He hands it over to Ground Control, who opens with the very Shaun Micallef-styled intro: “Hello, my name is Director Manager of Ground Control.” I snigger. The joke is on me, as the concourse and I are re-acquainted for another hour. I contact family and friends to tell them of my plight, and eventually re-board. This time, all systems are go.
The flight passed quickly, again my mutant super power kicked in and allowed me to sleep through the majority of the trip. Pseudo-Petreen was good company, as it turned out we are in similar lines of work, and so we talked a little shop. She also worded me up on what to expect from english people – apparently they don't strike up conversations with strangers like Australians do. Interesting! Eventually the flight came to an end, and we disembarked – the fun now really began. Customs was a breeze – in fact, there was no customs. I contemplated what this would have meant had I stuff to declare, but this was a moot point as the declaration channel was empty too. After probing questions about who i was related to (part of me bit back the urge to say “The Queen”), I was let loose into the UK.
Relying on the train system to get me from Heathrow to Stratford, I found out that the delay had convenient had us arrive and get out of customs with about 30mins lee-way for travel. The first bit of advice from the train staff was “get to Liverpool St as fast as you can.” Which I attempted. I crossed paths with a traveller trying to do the same, a developer from Microsoft, and we tag-teamed our way through various stations and station staff (at one point I mused out loud that a bear had been stuck at Paddington station once – he looked at me like I was suggesting something absurd.) Eventually we got to Liverpool St and we parted ways. I walked out of the station to my connecting bus and took a deep breath – this was the first time I had stepped outside in God-knows how many hours...Getting on the bus, I popped out my trusty iPod and listened to the tune that was guiding me all this time. Man it felt good.
Finally got to my destination, and 30mins later so did my brother – he'd sent himself out as a search party to find me, and Heathrow had declared a delay that was a whole lot different to the truth. In the meantime I caught up with one of J's housemates, a guy who had been at high school with him. And another housemate, a french girl. Apparently the french greet strangers with hugs and kisses on both cheeks. To quote the All Stars, I really really love the french! :P At 4am we went to bed, and the travel officially ended.
(further posts will be shorter – this represents a period of 29 hours of experiences)
New Thing Learnt Today – I begin to act like a caged animal if kept inside for too long.
Saturday, March 1, 2008
God Save The Queen
Because apparently a live-in security service, state of the art systems, guard dogs and a bunch of castles don't make her safe enough...
Q: What do you see when you turn out the lights? A world without Ringo Starr's nose.
Song For The Day: "Werewolves Of London" by Warren Zevon
Monday, February 25, 2008
Opener From A Song Somewhere
To really do this properly, I'd have to bore you to tears, and that would not do. Would not do at all. So instead, I've found an area of my life that is developing at a rapid pace, and would do well to be shared with the greater world.
I am woken each morning by zombies. This prompted me to keep a diary.
Zombies outside my window again. Their moaning has been going on for at least an hour. I opened a window before and threw a book at them. This didn't shut them up, but it certainly made me feel a little better. Hopefully they'll go away tomorrow.
No such luck, they are still there. Went downstairs and made coffee. Felt better, poured the remainder out the window. Felt better still. Must remember to buy ear-plugs, books and more coffee today.
Ear plugs not very useful, can still hear zombies. Opened the window and told them to clear off. Also gave some harsh criticism about their sound as a group. They seemed to listen, and went away. Is this over??
14th February 7:00am
No zombies today. Did a small victory dance.
THEY ARE BACK. This time they've brought a bass drum and a trombone. Much to my dismay, they have a slow rhythm. I also now know there is nothing worse than someone playing the trombone by wheezing. Threw birdseed at them = this is part of a bigger plan.
Woken by the sound of birds – birds trying to eat the seeds on the zombies! Did another small victory dance, until I realised this attack cost me more sleep.
I've finally snapped – called the authorities yesterday. Got sent to all different departments before someone would listen. Last person understood and apologised profusely. It appears the zombies were ordered by my neighbour. They have arranged the transfer and bought me a new alarm clock.
Q: What advice would you give your younger self? Don't cross the streams. Crossing the streams...is bad.
Song For The Day: "Dance Epidemic" by Electric Six
Wednesday, January 30, 2008
“I'm sending an SOS to the world...”
(if I don't get a reply I'm gonna feel pretty ripped off.)
So, just like Horatio Cuthbert, the monologuing hero of The Police hit “Message In A Bottle”, I too am now in a position to communicate with the masses even if I have indeed found myself to be a tropical exile. But unlike Cuthbert, I will not be using second-hand glassware that has come into my possession by chance, but rather a sleek, futuristic device that I splurged on, out of total whim and impulse (Thank you also to Pablo, the arctic flightless bird of much knowledge and smiles.)
The ability to communicate over long distance has been something we humans have always desired to do. We've found a myriad of ways and instruments to achieve this end, from the eloquent sounds of Sir Tancred O'Laughlins soliloquy “Bullroarer”, to the sweet melodies of M'kombe Lildwala's “Message To My Girl” But the way I'm most interested is far more in line with the parable rich ramblings of Tyler Spencer, in the legendary “Synthesizer”.
In a day and age where a device's value isn't weighed so much on how well designed it is, but rather on how many functions of day-to-day life that it fulfils, more and more we are finding ways to incorporate gadgetry into our gizmos. We are putting mustard on that mustard, as it were. A few years back Victorinox hit the market with a Swiss Army knife that comprised of the regular assortment of useful implements
So now I can travel on public transport, my iPod on and my varied selections playing directly into the eagerly receptive membrane that is my ear drum. In one hand, I have my mobile, frantically texting to people, using language that isn't so much a dialect as a distillation of words down into a semaphore-like arrangement of individual alpha-numerics, and the occasional outburst of punctuation to summon forth an avatar of faked emotions. On my lap, a compact machine that allows me to record my written thoughts and then wirelessly transmit them to the greater world, so that all the others with lifestyles that make them resemble well-dressed cyborgs can read and lol.
If I begin to forego human interaction at the expense of the electronic word, someone must interrupt me as I communicate with my thumbs, and put a magnet to my head for eight seconds. If you then utter the phrase, “That'll do nicely, pig”, I'll get the reference and the injection of pop culture shall restore me to the original factory settings. Which might indeed be a mistake, but it can't be too far a step backwards, especially in contrast to the fleshy automaton that I had become.
That's two posts in a row I've used the word fleshy. Egad.
In contrast though, would a race of cyborgs that are seamlessly integrated into our existing society be such a bad thing? They would still share the right DNA, they would work alongside us, just with the added benefit of being able to interact with our workplace tools on a more even keel. The added familiarity with the IT component of our lives would streamline a great deal of process, reduce the overheads caused by system interruption, and further the culture of in-jokes expressed through binary code. Ultimately, this would lead to a society where we are free to focus on the real issues at hand – the impending crusade against Mars.
Undoubtedly, the Martians dealt with the problem of yuppie cyborgs ages ago, and we're just playing catch-up. They'll be laughing hysterically at us when they see the way we clumsily add more and more devices into our lives as species-wide we suffer this odd form of computer envy. This is why we must trump them, we must do this better than they did. Whether this means an iPhone built into the arm of every man, woman and child, or whether it means Inspector Gadget style mobile telephony (which would be pretty cool), we're going to have to outdo our green/grey nemeses.
Imagine a world where the communications network is not just a bunch of satellites and wires, but composed of the organic web that can only be woven by linking every single person together. Nothing would get by us, we'd stand united. And when we saw a little green man descend from his saucer, trip and tumble down head-first, we'd all be able to share the moment, and laugh the guffaws of the righteous.
Gotta go, I'm getting a call from work on my shoe.
Q: Diamonds Or Pearls? I’m not fussed, it’s all Prince songs to me.
Song For The Day: “Whisper Your Name” by Harry Connick jr
Wednesday, January 23, 2008
And the dead shall rise...
This one is mummified, and has gained the terrifying powers of the lich-priests, as his soul continues on after his body has expired. With the ability to shriek in such a manner as to paralyze his foes with fear, he then consumes their life essence and adds them to the many souls that he has already gathered to help him motivate the dry husk he calls home.
Man, Rod Stewart scares the hell out of me.
Sunday, January 20, 2008
“There Can Be Only One!”
But he may have a side-kick…
This week’s post is a belated last week’s post. The reason for the delay can be clearly seen here. I won’t make any bones about it, I spent well over two hours of my life reading that forum thread, and it was two hours or more I’d gladly spend again. THAT GUY BUILT A BATMOBILE. Ahem, sorry. To make up for it, you have some awesome links this time (please check them - that kind of nonsense takes hard work)
This might mean there is a slim chance of a double-posting in one week, to make up for lost time. The posts will be thrown up in such rapid succession that if you blink, you’d not only miss it, but you’d miss the big headlines in all the major papers and the constant news feeds announcing the event. The zeppelins hoisting giant screens announcing the outrageousness would also sail completely by.
Yeah, it’d be THAT big.
The topic of today’s post is: Mortality. Yes. The Big M. I thought, instead of my usual rants on topics that lurk in the shadows of our culture, and ill-prepared arguments on vaguely heretical themes, we’d talk about something happy and full of rainbows and puppies for once.
More importantly, I want to write about the growing sense of obsoleteness and decay that I’ve begun to experience. This sense has made me question my own mortality – I’m fully aware that I will only last so long, before my joints weaken, my eye-sight fails and my brain becomes a complete lump of raspberry jelly (it’s about 20% there already). What has brought on this impending sense of goo? None other than THE FUTURE. Yes, I met the future. But how?! You say with virtual semaphore – that’s temporally impossible!!!
I hear your temporal impossibility, and I raise it a statistical probability. We’re bound to cross paths sooner or later. There may be a knife-fight, there may just be a sullen sneer – I can’t be sure. But I know where it is. It sits casually on a bracket at Allans Music, languidly relaxing in the company of it’s less advanced siblings, safe in the knowledge that it will survive long after they are defunct and nothing more than expensive firewood.
I am of course referring to the GIBSON ROBOT.
"it's now more machine, than Les Paul...twisted, and evil..."
Sent from the future, the Gibson Robot is here to save us all with it’s precision-built servo’s winding it in to any tuning you desire. It’s high-tech mind allowing it to survey the requirements of a single artist, and within seconds transform it’s tonal array to suit their situation – it is a weapon with no equal. And this is where the mortality issue begins.
With the introduction of such a powerful beast, us fleshy types that get out of tune quicker than you can drink a beer are on the way out. We will be replaced by mechanisms that do not suffer from old age, do not lose their vocal range through repeated stressings of said chords. Stainless steel musicians from the future will take up our fallen instruments and usher in a new era of sonic conquest.
But we will not go quietly. Most of us, sure we’ll fall before the might of the machine, our sinewy forms no match for hard-welded steel. They will thin our ranks in the time it takes to re-string one of our standard issue side-arms. The few who stand will be immune to the ravages of time, and will be able to endure any hardship that environment, enemy or biology throws their way. These people are none other than: The Immortals.
(No, not the group that did the dodgy Mortal Kombat song – rather, people who don’t die!!!)
The first of these, is already amongst us. He has walked the earth for many years, and told us many a parable. His styles are famous, and his rhymes are atrocious. With a vocal tuning not unlike an out of tune guitar himself, he is: BOB DYLAN. Every few decades, Dylan wades into battle, his six-string in hand like a Japanese blade. He will strike down all who come to claim his head, and then retire into the distance, to make another two albums.
So far none have been able to stand before him, but there is one out there he is expecting. A warrior of equal renown and skill, who has walked the earth for decades, seeking a worthy challenge. With a face whose weathered look could not only tell tales, but probably does if you look closely enough, he has seen fashions come and go. He has made come-back after come-back. His body has now all but mummified and he continues his quest through sheer willpower. He is of course, KEITH RICHARDS.
These two icons of the Rock Age will stride into battle, their creaking frames limiting their top speeds, their faces locked into expressions that could only be described as old. Wielding their chosen implements, Dylan shall employ the time honoured “wakizashi” of the folk-hero: the acoustic 'katana' in hand, the ‘tanto’-like harmonica clenched between his teeth. At the same time, Richards strikes a pose, his powered implement held loosely, and his wild hair blowing in the strategic breeze. It would take a well-trained eye to spot he has frozen on the spot, almost as if his bodily functions have at last given up. But that well-trained eye would be a fool – his bodily functions gave up years ago!
And with the dramatic tension that only a slowly-raged battle can elicit, they strike their blows, back and forth. The sky is lit up with the impacts of their weaponry, the rumbling of their collisions sounding like thunder to the primitives, and scaring away and Simon & Garfunkle listeners. This battle rages for an eternity…well, it may. It started about 200 years ago. In the mean-time, they even found time to release new albums.
And then there’ll be a farewell tour. Geez. Someone call Messrs Lambert and Connery - we must remove their heads, stat.
Q: Why can’t Bono find what he’s looking for? Because the streets have no names.
Song For The Day: “Hands Open” by Snow PatrolSunday, December 2, 2007
“All Right: Stop, Collaborate and Listen”
This post has been a long-time coming. Buckle in, it's gonna be a while.
It has been a long time since last I posted, but this time frame does not indicate the writing I have been doing in the meantime. Writing with the main goal being to update this place of fevered and frequently alliterated fabrications. Now, with your mind-rebuttal, I can hear you forming the questions: “So Smart-Guy, if you’ve been so busy writing, why’s this place stagnant?”, “Good! Well crafted writing, and quantities of it! But where?” and lastly “I saw that, f’s all over the place, how come you are so cool?” To be fair, I must answer these questions before launching into my most recent soliloquy, satire and vitriol cocktail.
a) Because I haven’t posted anything – it just didn’t feel right. It’d be like taking to the football field wearing high heels: you could do it, but you’d deeply regret it.
b) Well, to be brutal, I’ve actually posted all my well-crafted writing in this downtime…yep, it’s true – you are most definitely your harshest critic. (probably pretty close to the truth though!)
c) Hey, maybe I was born with it: maybe it’s Maybelline. Mostly, it’s merely a method of manipulating the minor messages to more melodically move into motion together.
I discovered that no matter what topic I attempted to write on, to update you on and to fill your minds with vaguely philosophically points of view, it always fell back to the one constant. It was really getting on my nerves, every time I had an original idea to write on, this one theme would worm it’s way back in, like a platoon of greek warriors hidden in a giant wooden idea – Trojan Themes, clad in leather armour and brandishing topics sharpened to a point. But what is that theme, I see on mental-semaphore. (it’s like morse code on flags, but in your head. No really.)
It’s Jesus.
Parody and satire are my bread and butter. Which gets spread on the other, I don’t quite know, but it’s a liberal layer of one, on a thickly-cut chunk of the other. And I wanted to write about movies, and how the whole Hollywood machine is becoming outrageously out of control…but everything I did came back to Jesus.
When you boil it down, there’s only a certain number of stories Hollywood can tell. They can throw a twist on (they’re all ghosts! ARGH!), they can even change the setting (can you just be whelmed?), but it’s the same story. Now Jesus, he’s one cool cat whose got the story well and truly down-pat. You know what you’re getting with a movie about Jesus.
Or do you?
The problem with Jesus’ story, is you know exactly what you’re getting. That’s not necessarily a bad thing, but the whole idea of getting a director on your film, is to get their personal take on the idea or story. With a premise over 2000 years in the telling, your ability to be dynamic is a little hindered. But I’d like to see a few different takes on the story.
Like, you could have a telling where the son of God was brought to us in the near future. He could keep the same hairstyle, same name just trim the beard a bit. He could have served in the compulsory armed forces, won the admiration of many, but then rebelled against the ruling class (all legit, true-to-the-story). Things go bad, he loses an eye and eventually goes down…or does he? Rumour surrounds that he lives, then he’s finally called in – they need him, they need his unique skills. He goes back into action to hunt down Guevo Judas, a gun-runner who has taken control of the local area with his militia and his charisma. And along the way, everyone JC runs into recognizes him, spawning the classic exchange.
Guard: “Hey JC, I thought you were dead!”
JC: “Yeah…I get that a lot”
Ladies and Gentlemen, I give you a rollicking story of sci-fi takes on biblical bad guys, as Kurt Russell portrays Jesus in John Carpenter’s “Escape From Nazareth”
And then Mr Carpenter and Co. get lynched.
Even with the trivial name connection that the director shares. (No, I’m not spelling out both jokes there) See, the problem with the Jesus story is that if you were to view it as a franchise, much like those for Spider-man or Star Wars, the built-in fan base is arguably a whole lot bigger, and a whole lot more zealous. A studio put nipples on Batman, or flames on Optimus Prime – to do the equivalent with Jesus would have you on a cross of your very own in record time. And this is where the movie world comes unhinged.
We could very easily have a languid, Lynch-ian flash-back telling of the story, from the eyes of a recently risen Jesus, trying to piece together his memory, only to find he was really a failed starlet whose life was over on the corner of a particular Hollywood road. Or maybe a heart-touching outsider in a Steven Spielberg story, highlighting the importance of the father-son relationship (whoa, that’d work)
Or maybe even further, he could be from another planet (symbolistic!) and sent here to help us become all we can, and reach our own potential. He will eventually give his own life to save the entire world from an evil that we ourselves have caused…and then, miraculously get a second chance due to his own self-sacrifice.
Unfortunately, Bryan Singer already made that last film and called it “Superman Returns”, so maybe there is a way to tell the fabled story in a newer way. Or maybe Bryan Singer’s 2.5 hour love letter to Richard Donner required some kind of camouflage and he stumbled across the analogy.
Either way, I think without allowing a director to do his or her thing, we’re not going to have anything worth watching in a few years time.
In the mean-time, the little green men are lurking. They gather in the craters of their home turf, readying neon-rayed weapons and chattering to one another in an obscure dialect, which we hope will share enough similarities with English for us to interpret…hopefully before they announce their plans to render us all down to pet food for the omnivorous octo-dogs.
Me? I’m growing my hair and putting on an eye patch. There’s nothing that Snake Plissken can’t stop, he’s even beaten the fashion police into submission.
Snake, you’re the man.
*special thanks to Mr d'Licious*
Q: Learned anything new today? I learnt not to kick the corner of my staircase, and then learnt not to fall over after not doing the first action - how's that?
Song For The Day: "Radio Nowhere" by Bruce Springsteen